01950 422251

(Intl. +44 1950 422251

paul@paulbloomer.com

Blackcountry prints

I was born in the heavily industrialised Blackcountry in the West Midlands of England and the work in this section is very autobiographical reflecting my experiences of growing up in this unique area.

Woodcuts

Unclear ideas are cut into sharp visual focus with the medium of woodcut. The etched line has a magic all of its own and is impossible to replicate by any other means.

Etchings

The etched line has a magic all of its own and is impossible to replicate by any other means. It is akin to alchemy when surrounded by chemicals and paraphernalia the skilled etcher can turn a copper plate into visual gold. I learned to etch at the Royal Academy Schools by watching Norman Ackroyd do magic with Nitric Acid and metal.

I have produced two main series of etchings to date. The Blackcountry folio was made in the etching room of the Royal Academy and the Shetland folio was made on a beach on the west side of Shetland.

Click on individual prints to find out more about how they were made and the inspiration behind them. All prints are for sale unless indicated otherwise .

The Highway by contemporary British artist Paul Bloomer width=

The Highway
2002 Woodcut. 48" x 72" Edition of 10 Ref. 1213

He Was A Very Good Dancer by contemporary British artist Paul Bloomer width=

He Was A Very Good Dancer
2002 Woodcut. 48" x 48" Edition of 15 Ref. 1210

The Drinking Match by contemporary British artist Paul Bloomer width=

The Drinking Match
2001 Woodcut. 48" x 72" Edition of 10 Ref. 1201

Factory Fodder School by contemporary British artist Paul Bloomer width=

Factory Fodder School
2001 Woodcut. 48" x 72" Edition of 10 Ref. 1204

Portrait Of The Artist As A Young Man by contemporary British artist Paul Bloomer width=

Portrait Of The Artist As A Young Man
2001 Woodcut. 48" x 72" Edition of 10 Ref. 1207

In that Smokey Smokey Blues by contemporary British artist Paul Bloomer width=

In that Smokey Smokey Blues
1999 Woodcut. 61cm x 76cm Ref. 4008

The Healing-Place by contemporary British artist Paul Bloomer width=

The Healing-Place
1998 Woodcut. 48" x 48" Edition of 15 Ref. 1198

Some Wide And Crazy Some Frightened And Lost by contemporary British artist Paul Bloomer width=

Some Wide And Crazy Some Frightened And Lost
1997 Woodcut. 24" x 32" Edition of 30 Ref. 1195

The Fish Were Dead by contemporary British artist Paul Bloomer width=

The Fish Were Dead
1995 Woodcut. 24" x 32" Edition of 30 Ref. 1189

The Incredible Drinking Man by contemporary British artist Paul Bloomer width=

The Incredible Drinking Man
1995 Woodcut. 122cm x 92cm Ref. 4007

The Kiss by contemporary British artist Paul Bloomer width=

The Kiss
1995 Woodcut. 24" x 32" Edition of 30 Ref. 1192

A Prayer by contemporary British artist Paul Bloomer width=

A Prayer
1995 Woodcut. 36" x 48" Edition of 20 Ref. 1183

The Battle by contemporary British artist Paul Bloomer width=

The Battle
1995 Woodcut. 36" x 48" Edition of 15 Ref. 1186

Cul De Sac by contemporary British artist Paul Bloomer width=

Cul De Sac
1992 Etching. 24" x 18" Editon of 30 Ref. 1219

The Fume Breathers by contemporary British artist Paul Bloomer width=

The Fume Breathers
1992 Etching. 18" x 24" Edition of 30 Ref. 1222

In The Bottle by contemporary British artist Paul Bloomer width=

In The Bottle
1992 Etching. 24" x 18" Edition of 30 Ref. 1225

Party Time by contemporary British artist Paul Bloomer width=

Party Time
1992 Etching. 24" x 18" Edition of 30 Ref. 1228

School Daze by contemporary British artist Paul Bloomer width=

School Daze
1992 Etching. 24" x 18" Edition of 30 Ref. 1231

Sunday Afternoon At The Fens Pool by contemporary British artist Paul Bloomer width=

Sunday Afternoon At The Fens Pool
1992 Etching. 24" x 18" Edition of 30 Ref. 1234

A Wing And A Prayer by contemporary British artist Paul Bloomer width=

A Wing And A Prayer
1992 Woodcut. 36" x 24" Edition of 30 Ref. 1180

Little Girl Lost by contemporary British artist Paul Bloomer width=

Little Girl Lost
1991 Etching. 18" x 12" Edition of 30 Ref. 1216